I grew up on CCM - Contemporary Christian Music, back in the days when this powerful musical movement was just being born. Much of it can be traced back to the Jesus Movement of the late 60's and early 70's out of Costa Mesa California, though creative sparks were taking place in multiple areas across America and even Canada. Early pioneers in this era include three of my favourite CCM bands; Petra, DeGarmo and Key, and transitioning into the 80's, Allies (formed by lead singer Bob Carlisle and SCB guitarist Randy Thomas). The most influential early CCM rock band would likely be Petra - from the Greek word meaning "Rock". Formed by lead guitarist Bob Hartman in 1972, Petra developed a tight progressive sound with lead singers Greg X Volz and John Schlitt, and their musical career spanned three decades. Ultimately they garnering four Grammy Awards and ten GMA Dove Awards, and became the first Christian rock band to be inducted into the Hard Rock Cafe. These musicians, along with other pioneers such as Andrae Crouch and the Disciples, Dallas Holm, The 2nd Chapter Of Acts, Sweet Comfort Band, Larry Norman, and Mylon Lefevre helped shape my musical style, and strengthened my spiritual life.
These artist felt strongly that music was a tool, which could be used by God to reach souls for Christ. Many church leaders during this time, however, were not ready to explore styles beyond the traditional hymns or Southern Gospel to which they were accustomed. Unfortunately, this resulted in tension and misunderstanding, and early CCM bands had to find venues to share their music wherever they could - including small coffee houses, prisons, or city parks. Over time, however, the obvious impact for the Kingdom of God could not be overlooked, as thousands of young people came to know Christ. In addition, youth from local churches became encouraged and emboldened in their faith, and enthusiastically grabbed on to a musical genre that they could finally relate to. Soon these bands were selling out stadiums, receiving recognition from secular critics for their musical expertise, as well as greater acceptance and appreciation from the evangelical community. Today Christian bookstores are full of young artists, ranging in musical style and ministry focus. Certain cross-over artists have even enjoyed a measure of success in the secular markets, while still maintaining their message of faith in Christ. I hope that they are grateful to the early musical pioneers who paved the way. I know that I am!
